Babenco: Tell Me When I Die (Barbara Paz) Brazil

Babenco: Tell Me When I Die
Barbara Paz
Brazil. 2019. 75 min

I have already lived my death and now all that is left is to make a film about it.” So said the filmmaker Hector Babenco to Bárbara Paz when he realized he did not have much time left. She accepted the challenge to fulfill the last wish of her late partner: to be the main protagonist in his own death. Babenco made of cinema his medicine, and the nourishment that kept him alive. “Babenco – Tell me when I Die” is a film about filming so never to die.

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Red Pomegranate (Sharipa Urazbayeva) Kazakhstan

Red Pomegranate
Sharipa Urazbayeva
Kazakhstan. 2021. 113 min

Anar marries Marat and lives with him and his son Adil. Pregnant Anar requires care, as she is anemic and at a high risk of miscarriage. When Marat hastens their move to the countryside, Anar finds herself in unfamiliar surroundings. Then Marat leaves to ask Anar′s father for a job and goes missing. Soon his creditors visit Anar. To make matters worse, Anar learns that Adil was raped. Now she begins a lonely fight to protect Adil. Red Pomegranate is the second feature film directed by Sharifa Urazbayeva, who came into the spotlight with her previous film Mariam (2019). Just like Mariam, Red Pomegranate depicts an independent and strong woman/mother who takes charge of her family during the absence of her irresponsible and incompetent husband and fights social prejudices. Director Sharipa Urazbayeva provides an objective portrait of the reality they face while warmly supporting Anar’s choices and Adil′s growth.

SHARIPA URAZBAYEVA

Sharipa Urazbayeva is a Kazakhstani director, scriptwriter and producer.

In 2010, she graduated from the T.Zhurgenov Kazakh National Academy of Arts with a major in “Film Making” in the studio of the famous Kazakh actor and director B. Kalymbetov. Sharipa Urazbayeva had a difficult but very familiar path for people in the field of cinema art: she began as an assistant director and, as time went on, reached the stage of producing her own full-fledged films.

After graduating from the Academy, Sharipa completed “Higher Courses for Directing” majoring in “Film and TV Making” in the studio of the famous Georgian director Irakli Kvirikadze. Later, in 2013, she interned at Nova University in Lisbon, Portugal.

“Mariyam” made the author famous far beyond her native Kazakhstan. The film was applauded by critics in France, where it was shown to a sold-out crowd at the Vesoul International Film Festival of Asian Cinemas. As a result, Sharipa Urazbayeva won the Grand Prix of the festival.

POSTER

CONTACT

alikenmm@mail.ru

Sijou (Vishal P. Chaliha) India. Netpac Section

Sijou
Vishal P. Chaliha
India. 2021. 108 min

A boy named Sijou lives in a village named Saikhong Guri in Assam, India. A very jolly kid who loves playing with his friends but who knew that one day he will have to become a slave. His life takes a drastic shift when he becomes a victim of the Feudal Land Tenure System which was in practice in Bhutan till 1958. People living near the Indo Bhutan areas in Assam were also affected by this system until it was abolished.

Sijou lives with his father Niren. His mother died when he was an infant. Sijou is a very mischievous kid who annoys the people of his village alongwith his friends. The village where Sijou lives is Saikhong Guri which is very near to Indo Bhutan Border. The village is dominated by the Bhutanese people. The villagers have to pay tax for their land. The taxes are in kinds like rice, vegetables, usable items etc. Those who fail to pay the tax, has to live as a slave in Bhutan for the rest of his life.

One day Sijou’s father Niren fails to pay the tax because of which he is taken as a slave alongwith Sijou by the Bhutanese. Sijou leaves his village and goes to Bhutan. The Father and Son starts to serve the Bhutanese people. Sijou’s father suffers from a disease because of which he dies.
Karma,a Bhutanese man,is against this feudal land tenure system. But as he is a loyal nationalist, he is bound to obey it as a duty. Later,after seeing the atrocities, his conscience forces him to rescue Sijou and send him to a Monastery where Sijou stays for the rest of his life.

VISHAL P. CHALIHA

Vishal P. Chaliha is a director and writer from India. Sijou is his debut feature film as a writer and director. Before making Sijou, he made several short films and documentaries.

I live in Assam,India. Bhutan is very much near to my state. One day, one of the producer’s of the film Mr. Omprakash Kherkatary came to with the idea that he wanted to make a film on the feudal land tenure system which was in practice in Bhutan until 1958. So I asked him what it has to do with India or Indian people. He said that people living near the border areas of India and Bhutan, mostly people of Assam which is an Indian state, were victims of this system. Generally, whenever I hear the word slavery, the image of African slaves comes to my mind. I never knew that slavery was present near my state also.

POSTER

CONTACT

vishalchaliha.4@gmail.com

Holy Son (Aliosha Massine) Italy

Holy Son
Aliosha Massine
Italy. 2021. 20 min

In Aliosha Massine’s Holy Son, the daily routine of a young couple is disturbed by some shocking news. A strange dream appears to herald a terrible and, at the same time, wonderful truth. You have to choose between dream and reality. They are not the same.

ALIOSHA MASSINE

Aliosha Massine was born in Rome on 11 July 1991.
Coming from a family of choreographers and dancers, from the age of 5 to 12 he studied ballet at the school of the Teatro dell’Opera in Rome and debuted in 2000 as a dancer, at the age of 9, at the Teatro dell’Opera, with Vladimir Vassiliev in the ballet “Lungo viaggio nella notte di Natale”. Later, aged 14, having given up studying ballet, he devoted himself to acting.
At the age of 16 he made his debut as an actor alongside Sergio Fiorentini.
After school he started to study philosophy at the University of Roma Tre while continuing to act with the touring company formed by Fiorentini.
On 10 June 2011, together with 50 other actors, artists and technicians, he occupied the Teatro Valle in Rome. There he had the good fortune to meet and take acting and directing courses with Elio Germano, Giacomo Ciarrapico and Fausto Paravidino. He abandoned his studies in philosophy in 2012 to move to Turin to complete his training as an actor at the Teatro Stabile of Turin, where he studied with Valerio Binasco, Renato Carpentieri, Claudio Morganti, Thomas Richards, Antonio Latella, Michela Cescon and Davide Ferrario.

After completing his studies, in 2015, he moved to Modena, to the Ert (Emilia Romagna Teatro) to work as an actor in the “Santa Estasi” project directed by Antonio Latella.
Between December 2018 and January 2019, he directed “Il posto della felicità” (“The place of happiness”), a short film produced by Marcello Fonte and Quasar film srl, currently distributed by Premiere Film, which competed in important Italian and international festivals: Alice nella city, Cortinametraggio, Visioni Italiane where it won a special mention, the San Diego Italian Film Festival where it won the special jury prize, the Social World international Film Festival, Bordeaux Shorts International Film Festival du Cinemà Minute where it gained another special mention.
His second short, “Holy Son”, produced by Quasar films, Timshel Films, is distributed by Lights On.

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CONTACT

lightson@lightsonfilm.org

Mikel Z. Castells, Jury at Imagineindia 2022

Mikel Z. Castells will be the Jury for Best Sound Design at the next Imagineindia edition in 2022.

Castells grew up in a town on the Guipuzcoan coast called Pasajes San Pedro, although at an early age he moved to the city of San Sebastián, where he studied at the public bilingual institute.

At the age of 17 he moved to the United States to complete High School and thus reinforce his learning regarding English, studying two years in two different cities, the first in Clarksburg (West Virginia) studying at the “Robert C. Byrd” Institute. and the second in the city of Seattle (Washington), finishing his studies at the University “Edmonds Community College”.

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Golden Fish, African Fish (Moussa Diop, Thomas Grand) Senegal

Golden Fish, African Fish
Moussa Diop, Thomas Grand
Senegal. 2018. 60 min

The Casamance region in the South of Senegal is one of the last areas of traditional fishing in West Africa, and crucial to the food safety of many African countries. But the challenges of industrial fishing companies and harsh working conditions are putting the region in danger of collapse. Issues like affordable living, healthcare, gender equality, deforestation, and human-value versus commodity-value are explored through the fascinating life stories of the people who live there.

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Sombra Do Mar (Sergio Pereda) Spain

Sombra Do Mar
Sergio Pereda
Spain. 2021. 15 min

Ismael returns home after spending a long time unsuccessfully fishing in the open sea. The small Galician town he arrives to is a desolate and poverty stricken place surrounded by a dead sea. His wife no longer looks the same, his son has disappeared. The legends say that it had happened before… Ismael has no choice but to live in a land that is not his.

SERGIO PEREDA

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CONTACT

distribucion@ecam.es

My Dear Corpses (German Golub) Estonia

My Dear Corpses
German Golub
Estonia. 2021. 34 min

Unexpectedly evicted from his house, Erki faces a rather difficult task to take care of his lonely mother. He’s forced to agree to become a corpse carrier. But the situation is about to get a whole lot worse, when Erki meets his new colleague for whom it’s just another day in the field.

GERMAN GOLUB

Director and writer German Golub was born in Estonian – Russian family 3 February 1993 in Pärnu, South of Estonia. Film director studied in Baltic Film and Media School, Directing feature BA Film Arts. Throughout a short career, he directed multiple short feature films and short documental films, one of them in China. Identifying himself as Estonian and European, but having direct access to West and East cultures. Both sided investigation of the cultural treasures strongly influenced and dualized his perception, understanding, and perspective of view on the world around him.

DIRECTOR,S NOTE

“My dear corpses” is a short movie that mainly focuses on death, but this film is about those who are still living. It investigates what’s mostly hidden from our sight in tragicomic form, which allows the viewer to think, even just for a second, if there is a possibility to live a full life without knowing what death really is.

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CONTACT

slebreht@gmail.com

Stateless (Mustafa Aydin) Turkey

Stateless
Mustafa Aydin
Turkey. 2021. 13 min

He is foreign to his own language and identity, he is a migrant traveler. They do not belong to where they came from, nor to this land. They are stateless, homeless, landless people. We are witnessing the tragic journey of hope travelers who walked for days without food or water to come to Turkey from Afghanistan.

MUSTAFA AYDIN

Mustafa Aydın was born in 1998 in a remote village in eastern Turkey. After completing his primary school in the village, he moved to boarding for his secondary and high school education. After making his first short film in high school, he became interested in cinema and completed his university education in the faculty of Communication, Radio, Television and Cinema Department, in Selcuk University Konya. He produced and directed his first short film called “Mesai”, of documentary genre. While continuing his university education in Konya; He has undertaken duties such as acting, camera assistant, reporter and editing in television channels as well in national and international film productions. The radio programs, television news and short films he produced has received awards in various competitions.

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CONTACT

aydinmustafa0304@gmail.com

The Sea Calls for Me (Tumpal Tampubolon) Indonesia

The Sea Calls For Me
Tumpal Tampubolon
Indonesia. 2021. 17 min

Sura lives alone in the fishing village, waiting for his father to return home. One day he finds a broken sex doll, and he asks Argo to help him fix the doll. He finds a companion and a surrogate parent in the doll. But this companionship is threatened by Argo, who wants to take it away from Sura. When Argo manages to take the doll from Sura by force, Sura is forced to do the unthinkable.

TUMPAL TAMPUBOLON

Tumpal Tampubolon is a cinephile-turned-filmmaker, based in Jakarta, Indonesia. He graduated from Bandung Institute of Technology with a bachelor’s degree in Math. In 2005, his first screenplay, The Last Believer, won the Jakarta International Film Festival (JiFFest) Script Development Competition for Best Short Fiction category. It was a chance for him to have first-hand filmmaking experience. Since then, he has written and directed several short films, which were screened in various domestic and international film festival.

Tumpal has also been selected to attend the Asian Young Filmmakers Forum, a filmmaker-in-residence program in Jeonju, South Korea, Berlinale Talent Campus, and Asian Film Academy in Busan.

He is one of the nine directors that participated in Belkibolang omnibus film; a feature length film consists of nine short films that showcases the new and promising talents in Indonesian cinema. Belkibolang was screened at Rotterdam International Film Festival, Hong Kong International Film Festival, Jeonju International Film Festival, and Udine Far East Film Festival.

In 2014, he won the Citra Award, Indonesia’s most prestigious film awards, for Best Original Screenplay, for Tabula Rasa.

FILMOGRAPHY

2017 Wiro Sableng: Pendekar 212 (feature film, co-writer)
2014 Tabula Rasa (feature film, scripwriter, Best Original Script Piala Citra)
2011 Soleram (short film, director and scriptwriter)
2010 Mamalia (short film, part of BELKIBOLANG omnibus, IFFR, HKIFF, Jeonju International Film Festival, Udine Far East)
2008 Drum Lesson (short film, director and scriptwriter)
2006 The Last Believer (short film, director and scriptwriter, Best Short Film JiFFEST)

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CONTACT

mm@tanakhirfilms.com