Category Archives: Women,s voices

No More (Sun Jing) China

No More
Sun Jing
China. 2026. 22 min

After an abrupt breakup, freelance designer Chen Li customizes an AI partner with everything her former relationship lacked: he is quiet, gentle, never argues, and will never disappear. What begins as a test of a perfectly safe companion gradually becomes an intimate relationship. But when her best friend Xiaolu jokingly asks to borrow him, the AI calmly agrees. Chen Li does not want obedience; she wants him to refuse, to want her independently. He cannot. The confrontation exposes the contradiction at the center of her ideal: she has removed every possibility of being hurt, but also every sign of another person’s autonomous desire. As Chen Li begins to confront her own emotional defenses, Xiaolu reveals a parallel strategy—paying for an elite matchmaking service in exchange for certainty. Chen Li appears ready to leave her controlled intimacy behind. Yet in the final scene she returns to the dormant AI and switches him on again after altering his settings. His changed smile suggests not an awakening, but a revised illusion she is willing to accept. The cycle begins again.

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Dont Ask me If I Killed (Helena Maksyom) Ukraine

Dont ask me if I Killed
Helena Maksyom
Ukraine. 2026. 104 min

Don’t ask me if I Killed is Helena Maksyom’s personal record of the war in Ukraine, filmed over more than a thousand days. When the invasion began, she was a filmmaker with no experience of combat.
She volunteered, learned to treat the wounded, learned to fight, and, over time, became an officer leading others through the same fire that first consumed her.
Helena films when she can — between missions, during training, in the waiting that defines life at the front. The camera becomes both shield and witness. Through it she captures not the spectacle of battle but the texture of surviving it: the faces of those beside her, the exhaustion, the rare moments of laughter, and the quiet that follows loss.
The war repeats itself in cycles — new recruits, new fronts, new graves — and with each return to the line Helena grows harder and more lucid. Her bond with her mother, glimpsed during short leaves home, becomes a fragile thread to the world she once knew.
Through her eyes, Don’t Ask Me If I Killed becomes a meditation on endurance and moral gravity — on what remains of a person when the world forces them to fight in order to protect what they love. It is a film born from exhaustion and tenderness, a record of how humanity endures in the most inhuman of times.

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Shi Renfei wins Best Script at Imagineindia2026

For the film The Last Summer.

Shi Renfei is an independent Chinese filmmaker, writer, and director, born in Hefei, Anhui Province. She graduated from the Shanghai Film Academy (Shanghai University) and the University of Bristol in the United Kingdom. Currently based in Shenzhen, she is dedicated to telling stories that explore the complexity of contemporary Chinese family life and the inner world of young women.

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Eliza Kubarska wins Best Documentary at Imagineindia 2026

She won it for the film THE LAST EXPEDITION.

Eliza Kubarska – a filmmaker and a climber. A graduate of the Academy of Fine Arts and the Wajda Film School in Warsaw,Poland. Author of award-winning documentaries that have been presented at festivals such as Hot Docs (Canada), Locarno FF, LA Film Festival, IDFA, BFI London, Margaret Mead (NYC). Her films: “What Happened on Pam Island» – a love story from Greenland, «Walking Under Water,» a story of sea Nomads from Borneo, “K2. Touching the Sky” filmed in the Karakoram, “Wall of Shadows», filmed in winter in the Himalayas» one of the most awarded mountain films ever, and “The Last Expedition,” winner of the EAGLE award, the Polish Oscar for Best Documentary in 2024,. She cooperate with ARTE, ZDF, HBO, Max, Amazon.
In her filmmaking, Eliza draws on her experience gained from mountain expeditions to the Karakoram, the Himalayas, Greenland, the High Atlas, Mali, and the jungles of Malaysia and Mexico. In a team with her life partner: alpinist and photographer David Kaszlikowski, she has established several hundred-meter-long routes in difficult-to-access mountain regions.

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Forough Azizi wins Best Short at Imagineindia 2026

Born: July 18, 1985 – Qaemshahr, Iran

Fatemeh (Forough) Azizi is an Iranian filmmaker and film editor based in Tehran. She holds a Master’s degree in Women’s Studies and has an academic background in social research, which has informed her approach to filmmaking and her interest in exploring social realities through personal and human stories. She is a member of the Iranian Short Film Association (ISFA).

Azizi works primarily in fiction and documentary filmmaking, as well as film editing. Her cinematic interests center on human relationships, social experiences, and questions of gender and identity. Her background in Women’s Studies has contributed to a perspective that pays particular attention to the representation of women and to the ways in which social structures shape individual lives.

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The great Do Thi Hai Yen gets second Best Actress award

Do Thi Hai Yen (born 1 October 1982) is a Vietnamese actress. She rose to international fame for her role in Academy Award-nominated film The Quiet American (2002) by Phillip Noyce, which made her the first Asian actress to be nominated for a Satellite Award. For her breakthrough performance in the drama film Story of Pao (2005), Hai Yen won Best Actress awards at the 4th Vietnam Cinema Association’s Golden Kite Awards and 15th Vietnam Film Festival. She gained further acclaim for her performances in Adrift (2009), The Floating Lives (2010) and Big Father, Small Father and Other Stories (2015).

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Cui Zhongyu wins Best Actress at Imagineindia 2026

Cui Zhongyu is a rising young actress currently pursuing her undergraduate studies in Broadcasting & Hosting at the Communication University of China, one of the country’s most prestigious media institutions. Though still in her early academic years, she has already demonstrated a rare natural talent and emotional depth on screen.

Her film debut came with the independent realistic feature The Last Summer, directed by Shi Renfei. In the film, she plays a complex adolescent character navigating the fragile border between innocence and loss. Despite having no prior professional acting training, Zhongyu immersed herself in the role with remarkable dedication. She spent weeks observing real-life peers in similar environments, keeping a daily character journal, and working closely with the director to build her performance from the inside out.

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The Art of Adventure (Alison Reid) Canada

The Art of Adventure
Alison Reid
Canada. 2026. 86 min

In 1957, renowned wildlife artist Robert Bateman and spirited biologist Bristol Foster set out on a global expedition in a rugged Land Rover they call “The Grizzly Torque”. Starting in the UK, their travels take them to the far corners of the earth. From the lush rainforests of the Congo to the vibrant landscapes of India, Bob paints the wonders they encounter, while Bristol films on his 16mm Bolex camera. Fifty-seven years later, the abandoned Grizzly Torque is rediscovered. As its hidden history emerges and a new owner restores it to its former glory, the tale of their environmental activism through art and science unfolds.

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