All posts by imagineindia

White Snow (Praveen Morchhale) India

White Snow
Praveen Morchhale
India. 2025. 81 min

A young filmmaker, Amir’s film is banned from screening in the very remote mountain region on a complaint of the religious head of the town, after the film’s first screening in a community hall of the town. Amir’s only fault is that he has shown in the film the post-partum blood after a child’s birth. He is later arrested and put in custody on the pretext of the absurd reason of trying to create social unrest, though the real reason was very different. Seeing no hope, his mother Fatima risks her life and leaves home with a small TV and DVD player keeping them on a Yak (mountain animal) to show the film to people in remote villages to fulfil Amir’s dream. During her arduous journey, she meets many people who try to help her, but their own limitations do not permit them to screen her films. Resilient Fatima keeps traveling and quietly observes people’s kindness and social and economic conditions. Gradually the tiring journey, hopeless situations, and unsuccessful efforts break her mentally and physically and bring her close to madness. A surprise heart-breaking incident makes her a free soul in the end.

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The Temperature of the Universe (Viktor Sharimov) Russia

The Temperature of the Universe
Viktor Sharimov
Russia. 2025. 93 min

Set in a remote picturesque Astronomy village, where scientists investigate the cosmos undisturbed by the hustle and bustle of the city, the story navigates the characters through a breakup to an unlikely romance. The film is a story of separation and reunion that unfolds in a remote astronomers’ village in the Caucasus (filmed in Nizhny Arkhyz, home to real-world observatories). The isolated, quiet setting allows the characters to reflect on life without the noise of the city, exploring themes on the boundary between science, human relationships, and the vastness of the cosmos.

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Ambivalence (Maan Chandravanshi) India

Ambivalence
Maan Chandravanshi
India. 2025. 29 min

Yugal, a quiet and emotionally closed man, returns to his childhood home after nearly twenty years. The empty house brings back memories of his father, his stepmother, and a childhood shaped by silence and emotional distance. Through his cousin Pankaj, Yugal slowly uncovers hidden truths about his family and why he was sent away. In the present, Yugal begins repairing his father’s old tractor, believing the act will help him rebuild his own life. He becomes drawn to his neighbors—a widow named Dipti and her young son, Pintu. Dipti’s strict love reminds Yugal of his stepmother, blurring the line between past and present. As feelings grow, Yugal realizes he is standing in the same emotional position his father once faced, with one chance to choose differently.

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Sacred Sal Tree (Mansingh Baskey) India

Sacred Sal Tree
Mansingh Baskey
India. 2025. 15 min

The film highlights the conflict between tribal life and the formal justice system. Tibru Munda, a poor tribal villager, is arrested for carrying firewood taken from a fallen tree and is charged under forest laws. In court, his honest explanation is ignored due to rigid legal procedures and deep-rooted prejudice. His refusal to swear on the Gita, and his choice of the sacred Sat tree instead, reveals the cultural gap between tribal beliefs and state institutions. Through Tibru’s struggle, the film questions the idea of justice, ownership of forests, and the survival of indigenous identity.

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Where do the Trees Go (Mansingh Baskey) India

Where do the Trees go
Mansingh Baskey
India. 2025. 15 min

Eight-year-old Sagen is brought to live with his uncle and aunt after his mother remarries following his father’s death. The sudden change leaves him withdrawn, struggling to feel at home in an unfamiliar place with unfamiliar people. Though his uncle and aunt try to make him feel welcome, the house remains just a house—never quite a home. As they argue over legal guardianship and his schooling, Sagen seeks solace in the forest, the only place that feels free. But over time, small moments start to break the ice.
A quiet understanding grows, and one day, Kisku joins them at the dining table—something he once refused to do. Just as he begins to find the warmth of a family, his mother returns for one final goodbye before leaving forever. Standing before her, Sagen feels nothing—or perhaps too much. He doesn’t speak, doesn’t move closer, doesn’t hug her, unaware that this might be the last time he’ll ever see her. His uncle, witnessing their meeting, is furious. The argument that follows fills the house with fear, and once again, Sagen runs—terrified of losing the home he was just beginning to find. But will his new parents bring him back? Or will he be lost once more?

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The Unopened Letter (Byambasuren Batdelger) Mongolia

The Unopened Letter
Byambasuren Batdelger
Mongolia. 2026. 111 min

Genden loved his son as a piece of his own flesh and blood, yet he had no choice but to send him off to war. He lived only for the hope that his only child on this earth would return alive and well. Upon hearing the news that his son had become a war hero, Genden was overjoyed and spoke proudly of it to everyone he met.
Soon after, a tragic letter arrived stating that his son had been killed on the front lines. The locals, afraid to deliver the bitter news, avoided the old man. Searching for someone to read the letter aloud, Genden finally had a neighbor’s little girl read it, bringing him face-to-face with the heartbreaking news. However, Genden refused to believe that he had lost the only child he had raised so preciously. Amidst this, he summons a man named Galsan to court to demand justice for his biological son’s life. Having just been struck by the harsh blow of separation, he thus finds himself entangled in a matter of life and death.
But soon, a rumor spreads that one of the soldiers thought to be dead has survived and is returning home. Hearing this, Genden hurriedly sets off for the brigade center. Will the hope deep within his soul be extinguished, or will it blaze anew?

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Nest (Asmita Pal) India

Nest
Asmita Pal
India. 2025. 21 min

On an ordinary morning that transforms drastically, a young girl moves through the rhythms of her home. Her mother, an ornithologist who traded fieldwork for domesticity, is restless in ways the girl can sense but not name. As the day unfolds in arguments behind closed doors, in the steadying presence of the family maid, in the sudden visit of a bird to her mother’s room the girl watches the world she knows begin to shift. By evening, something has been irrevocably lost.

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