GUJIGA- Ode to the Turtle
S.Korea/ Germany. 2019. 19 min
A film by Sunjha Kim with Rikisaburo Sato (Cinematography) and Minhee Park (Music), based on a shamanic song “GUJIGA”, myths, symbols and glimpses into the natural phenomena of turtles are interwoven throughout this film, revealing violent human interventions into the life of this reptile. This film is an ode to the turtle and a reminder of the connection between animals and humans.
Continue reading Gujiga (Sunjha Kim) S.Korea, Germany
The Unseen River
Pham Ngoc Lan
Vietnam. 2020. 23 min
The film explores the magic, beauty and intensity of the Mekong River by following several humans and one animal as they all traverse its banks. A young couple visit a pair of monks in a futuristic temple; two former lovers reunite by chance years after their affair; and a spunky black-and-white dog deftly navigates the river landscape tying them all together. Magic and melodrama mix and meld mellifluously along the Mekong.
PHAM NGOC LAN
Phạm Ngọc Lân (1986, Vietnam) is a film director with a background in urban planning and architecture, based between Hanoi and North Carolina. Lân’s debut short film The Story of Ones (2011) has been screened in numerous film festivals and art museums, including Visions du Réel (Swizterland), CPH-DOX (Denmark), New Cinema and Contemporary Art – Rencontres Internationales (Paris/Berlin) and Tokyo Metropolitan Museum of Photography. His first two short fiction films, Another City (2016) and Blessed Land (2019) both premiered at the Berlinale Shorts Competition. Lan is currently developing his first feature film Cu Li Never Cries.
The Unseen River, 2020
Blessed Land, 2019
Another City, 2016
The Story of Ones, 2011
Wouter Jansen : firstname.lastname@example.org
Turkey. 2019. 15 min
Hearing impaired, homeless Gala escapes from a man who continuously abuses her.
Continue reading Topanga (Aycil Yeltan) Turkey
While her life becomes a routine in an abandoned old truck on a mountain road, she has no clue how the abusive man finds out where her hiding place is.
One night, after a brutal attack, she finds the strength to stand up one last time and starts walking. She has no clue where this survival walk will end up and change her life!
Turkey. 2019. 18 min
Eyüp crosses the mount Ararat and starts to look for his aunt in the Yerevan by following a mad man’s words. His aunt also expects someone to come from behind this mount for years. Eyup can not be sure about the one who he found behind the blue door, whether his aunt or not. Because they can’t understand each others.
He was born in 1989 in Mardin. He got primary and secondary education in Mardin. In 2013 he graduated from Faculty of Education at Ahi Evran University. He joined various Cinema Workshops and took part in short films. He worked at film festivals in Mardin and Silopi. His second short film script “The Return” won production support from Turkey-Armenia Cinema Platform. Currently he is working in film sector. Living Spain.
Mamoste/ 2014/ short/ Directed
Veger(Return)/ 2019/ short/ Directed-Scenario
The main character Eyüp has grown up knowing the story of his grandfather who has survived the genocide and adopted by a Kurdish family. This minority cannot maintain their identity and they are assimilated into Kurdish in period of one century. As the time passes by, the stories of genocide are replaced by violence stories of ’90s. A family that has been driven away from their land, witnesses the torture and suppression in a different land and under a different identity. Eyüp who is doing sheepherding at the foothills of Ararat, likens the mountain to a lover. The more İbrahim tells him about his aunts affection, the more Eyüp perceives the mountain as sanctuary which can save him from all the evils that he is experiencing. When İbrahim gets killed during the curfew, Eyüp decides to pass the mountain as a sign of his devotion to Ibrahim’s memory.
With this film I will be able to touch the stories about the Armenian massacre that I have heard during my entire childhood and which has become a part of my personality. For me, this film is a reflection of all of those stories.
In the film, in accordance with lyricism of the story, the photography will be at the forefront. While the camera shuttles between Kurdistan and Armenia, it will focus on the love of these two lovers.
As there is no time and space in the story, the camera movements will stay away from exaggeration and will move calmly.
Selman Deniz : email@example.com
I Never Left You Alone
Spain. 2019. 17 min
Claudia, a teenager who has always felt a strange rejection for her mother, accompanies her to clean an old family house where they used to spend the summer. Once there, Claudia encounters the ghosts of her past and is forced to confront the truth from which she has been escaping all her life.
Continue reading I Never Left You Alone (Mireia Noguera) Spain
Sagar Desai is a prolific international musician based in Mumbai, India. He has composed music for 18 Indian, French and American films. A self-taught musician, Sagar grew up jamming with his cousins in the suburbs of Chicago. After earning a degree in Architecture from the University of Illinois, Urbana-Champagne, he began his career at a design firm to further his interest in the visual arts. Two years later, he moved to Chennai, to help a friend produce an album which never got made. Sagar was led to musician Sandeep Chowta while working on ad films. After two years in Chennai, he moved to Mumbai, to work in the Hindi Film Industry. In Mumbai, Sagar worked with artists such as Pritam, Vishal-Shekhar, Sivamani and Adesh Shrivastav. He also formed a band with friend and rapper Blaaze, called Zambezi Funk, before striking out on his own as the Music Director for the critically acclaimed film Mixed-Doubles. Since then, Sagar has composed tracks and background music for 17 films. Most recently, Sagar has composed the background score to The Japanese Wife by Aparna Sen, A Death In The Gunj by Sen Sharma and Kadakh by Rajat Kapoor. Two time winner for Best Music at Imagineindia International Film Festival Madrid.
Continue reading Sagar Desai, winner of Best Music at Imagineindia 2020 for Kadakh
Williams is known for his textured, fluid camerawork (often handheld) and a heightened attention to available light. The New Yorker film critic Richard Brody described Williams (in a memorial appraisal of documentary filmmaker Albert Maysles, for whom Williams served extensively as cameraman) as “the cinematographer for many of the best and most significant independent films of the past decade, fiction and documentary — including Frownland, Yeast, Fake It So Real, The Color Wheel, Young Bodies Heal Quickly, Listen Up Philip, the Safdie brothers‘ … Heaven Knows What, and Alex Ross Perry‘s new [as of 2015] feature Queen of Earth.”
Continue reading SEAN PRICE WILLIAMS, NOMINATED BEST DOP FOR ONE MAN DIES ONE MILLION TIMES (JESSICA ORECK)
Born in Georgia, grown up in filmmakers family. Konstantin is one of the best DOP in Georgia.
1989-94 Tbilisi State university, Faculty of Georgian philology
Continue reading Konstantin Esadze, nominated Best DOP for Shindisi at Imagineindia 2020
1994-98 Tbilisi State Institute of Theatre and Film – Faculty of Film and TV Cameraman.
1999-2001 Tbilisi State Institute Of Theatre and Film – Faculty of Hight Director Courses.
Molly is a director, producer, and editor based in the San Francisco Bay Area. Molly was a 2018 Women Peace and Security Fellow and 2019 Resident with SFFILM. While earning an MFA in Cinema at San Francisco State University, Molly won the Bill Nichols Excellence in Cinema Award, the Canon Best in Show Award, the Spotlight on Women in Film Award, and the Barbara Hammer Award. Her first feature documentary, Objector, won awards at Hot Springs Documentary Film Festival and St. Louis International Film Festival and landed in the Top 10 Audience Favorites at IDFA. Molly came to filmmaking as a community organizer and continues that work today.
Continue reading Molly Stuart, nominated to Best Documentary at Imagineindia 2020 for Objector
“Thinking about Lithuanian cinema, we want to be happy that we are gradually abandoning the complexes of a small country and stop comparing it with the big countries of the film industry. Our thinking, identity, and minority can just as well be the strengths to help construct an authentic film narrative. I am also happy with the exceptional nominees for this year’s awards, “said Narvydas Naujalis, Chairman of the Lithuanian Cinematographers’ Association, at the beginning of the ceremony.
Continue reading Narvydas Naujalis, nominated Best DOP for Isaac at Imagineindia 2020