The Lovers
Preeti Singh
India.  21 min. 2018

Anirudh an Indian young guy whose life changes when his wife files a case against him under the act 498A, domestic violence. The story unfolds & conveys how lack of communication between parents & children destroys many lives in a marriage.

PREETI  SINGH

Preeti Singh writer-director-producer of short film-Dom.  It was selected in Cannes short film corner 2016.She has directed many documentaries for discovery India & other platforms,”festivals of India” is one of those documentaries. She has directed many advertisements & a web series.
Now written and directed The Lovers

Malai
Sarmistha Maiti, Rajdeep Paul
India.  14 min.  2018

A low-caste rural boy from interior India goes to attend the local political leader’s son’s wedding, along with his mother and two siblings, excited at the prospect of having a grand meal, especially his favourite ice-cream, referred to as ‘Malai’ in the local tongue. But he instead discovers the dark side of the Great Indian Wedding – a wake-up to the harshness of the society and the saga of discrimination and exploitation of the weak, poor, low-caste, women and even children that continues in the name of tradition in our country even after nearly two decades in the new millennium. Relegated to doing manual labour for little money to entertain the rich and empowered people as they rejoice and celebrate the grand marriage ceremony, the family has to pay too great a price to earn too little – a little boy’s wish for an ice-cream.

RAJDEEP  PAUL

Gadhul
Ganesh Shelar
India.  26 min. 2018

Gadhul (Turbid) is a story of relationship of a son (Rohit, 14) and his mother (Latika, 35). An incident takes place on the death anniversary of his father which takes a sinister turn to change relationship with his mother.

GANESH  SHELAR

An Essay of the Rain
Nagraj Manjule
India.  26 min. 2017

Many words have been used to exalt the magnificence of rain. But when young Raja is given the homework assignment to write about the beauty of rain, lush green mountains, flowing rivers and magical rainbows is not what comes to mind for him. His is another kind of essay on the rain.

Evocative cinematography and an unnerving soundscape make the pounding rain an unforgettable character in this film–omnipresent and unconquerable. Mixing raw realism with a dash of poetry and a gentle touch of humor, masterful storyteller Nagraj Manjule (FANDRY) delicately crafts a visceral and deeply moving tale about the disparities and ironies of life, and nature’s daunting reign.

NAGRAJ  MANJULE

Nagraj Popatrao Manjule hails from Jeur, a small village in Maharashtra. His debut short film “Pistulya” won a National Award for Best Non-feature film. His debut feature, FANDRY, won the Indira Gandhi National Award for Best Debut Film. His next film, SAIRAT, premiered at the Berlin International Film Festival. Nagraj is also an acclaimed Marathi poet whose poetry collection “Unhachya Katavirudhha” has received numerous awards.

Shame
Anusha Bose
India.  24 min.  2018

SHAME is a dark comedy that walks the thin line that separates the two worlds; the haves from the have-nots; the affluent from the service providers; the indulgent from the repressed. And it is when Fanny slips and crosses the forbidden line in a moment of temptation that she confronts both the wrath of her employers and the demon within. Shame is the twisted journey of a meek, vulnerable woman who emerges from the background to unapologetically reclaim her dignity, confidence and her right to desire.

ANUSHA  BOSE

After a decade of producing news and lifestyle features for NDTV 24×7, Good Times and NDTV India, Anusha Bose moved to non-fiction programming in GEC TV at Star, conceptualizing shows for Star Plus, Life OK, Channel V, Jalsa and Pravah. She went on to head business development and creating fiction programming at a production house, Rowdy Rascal before she started penning screenplays for film and the web. Shame (2018) is her directorial venture.

Tara Versus
Ayesha Anna Ninan
India.  21 min.  2018

Tara, an ambitious but struggling young comedian, loses all sense of humor when she finds out that her best friend has landed a high-profile talent booking job in Delhi. Unable to cope with intense feelings of jealousy and low self-esteem, she jeopardizes the friendship.

Framed by an enchanting performance by Aditi Vasudev (“Devi”), this heartfelt and spirited tale sheds light onto Mumbai’s urban youth and its competitive stand-up scene, where burgeoning ambition, a wavering sense of identity and heightened emotions are no funny matter.

AYESHA  ANNA  NINAN

Ayesha Anna Ninan holds a BA from the University of Virginia, and an MFA in Film Production from NYU’s Tisch School of the Arts, Asia. Ayesha has produced and directed short films in Singapore, Vietnam and India. She currently works for a commercial production house in Mumbai, serving as producer and editor on various short format projects across South East Asia.

The Peanut Seller
Etienne Sievers
Germany. 19 min.  2018

Orphan Shakeel survives by selling old newspapers on the streets of Delhi. By chance he sees Mohan, who had been in the same train as his mother when she disappeared many years ago. Shakeel hires a private detective to find out Mohan’s whereabouts. But his plan fails due to his limited financial resources and his position as an outsider of society, Increasingly frustrated, his misconduct and bossy behaviour towards women results in his friendship with cleaner Neela threatening to fail, too. When Shakeel finally does meet Mohan, he learns a truth that changes his life and makes him want to make up with Neela.

ETIENNE  SIEVERS

Born in Germany, Etienne grew up predominantly in India. After his undergrad in Berlin, he studied Filmmaking in the UK with a DAAD scholarship (German Academic Exchange Service).

Etienne’s short films were screened at numerous international film festivals, distributed on TV, acquired by various distribution companies and favourably reviewed by the press.

His short film “The Peanut Seller” recently won several awards, such as the Satyajit Ray Short Film Award at the London Indian Film Festival 2018, where the jury praised it for its “superb execution and poignant narrative”.

Let some clouds float in
Mayuresh Gotkhindikar
India.  28 min.  2017

A susceptible spinster on the verge of losing hope torments herself to find relationships with purity and innocence, eventually goes through metamorphosis of sorts in mid 1990’s gradually liberating India.

MAYURESH  GOTKHINDIKAR

Mayuresh Gotkhindikar (born 1985) is an independent filmmaker based in Pune, India. ‘Aaye Kuch Abr / Let some clouds float in’ is his second short film. He’s editor, screenplay writer and director. He has a  keen interest in learning the craft of cinema and storytelling. He’s would like to explore complexities of human relations happening in specific times, tracing his roots.

Written by?
Kankana Chakraborty
India.  15 min.  2018

Story of two writers… two generations. Kamalesh Roy, a writer who has seen his golden days, but has not written anything in the last 10 years. Natasha Sen, an young writer who interns for Kamalesh Roy. The Film takes place on a rainy evening in a span of an hour and a half ( 7:30-9:00 pm). It mainly deals with the question: Who can claim the right to a story? The ‘one who experiences it’ or ‘the one who writes it down?’

KANKANA  CHAKRABORTY

Kankana Chakraborty, is born and brought up in Kolkata.She finished her undergraduate in ‘Journalism and Mass communications’ from Shri Shikshayatan College, Kolkata.
On completing her graduation she directed a Docudrama, “WOMEN PRAYED AND PREYED UPON.” It mainly deals with the irony that in a country where we pray to Goddesses then why do we prey upon women?

The docudrama had legends like Shri. Amitabh Bachchan, Shri. Shyam Benegal, Surekha Shikri, Late Reema Lagoo, Harshdeep kaur, Shaan, Joy Sarkar and others. It has won 17 National and International Awards, the last being the WORLD PEACE AWARD.

Kankana then moved to Los Angeles, to finish her Masters in Acting, from New York Film Academy. She graduated in 2015. Since then she is been a working actress in Los Angeles and have been part of several theatre productions as a lead, TV commercials and several Independent Short Films and Web series.

Bebaak
Shazia Iqbal
India.  20 min.  2018

Fatin is an Architecture student from a lower middle class Muslim family, who goes for an interview to seek scholarship from a religious Education Trust, along with her father, Zaheer. During the interview, she gets reprimanded by the interviewing officer, Niyaz Sheikh for not following the religious tenets meant for women.

At the tomb below the trust office, she meets two young girls who are students at the local Madrassa. One of them, Rafiya has fixed notion of being a ‘good girl’ by following the set rules of the religion; the other, Shireen seeks freedom from the same. Fatin has to choose between reinforcing Niyaz’s misogynist dogma and live with the burden of her own muddled morality or stand up for what feels right.

In the process, Shireen, who largely represents girls who are systematically indoctrinated into losing their identity, becomes a catalyst of change for Fatin.

SHAZIA  IQBAL

Shazia Iqbal has been working as a Production Designer for over ten years in the Indian film and Ad industry. She has studied ‘Directing for films’ at MET film school, Ealing studios, London.

Bebaak is her debut short. Bebaak is inspired by a true event that moulded her religious, social and political ideology while growing up.

Her first feature script, Chaplin was selected at NFDC Director’s Lab, Sundance Screenwriter’s Lab (Utah – first round) and Mumbai Mantra Screenwriter’s Lab. She designed Anurag Kashyap’s film, Mukkabaaz which premiered at Toronto International film festival (TIFF) and is the leading designer of India’s first original Netflix series, Sacred Games.

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