For the film Ky Nam Inn.

Lã Quý Tùng is a Vietnamese visual artist and acclaimed production designer whose work bridges cinema, contemporary art, and design. Known for his distinctive approach to visual storytelling, he has created the artistic worlds of numerous Vietnamese and international film productions, earning three awards for Outstanding Art Direction at the Vietnam Film Festival.

Born in 1966 in Ho Chi Minh City, Vietnam, Lã Quý Tùng studied Oil Painting at the Ho Chi Minh City University of Fine Arts, where he graduated in 1990. While still a student in 1988, he began his career in cinema as part of the art department for Jean-Jacques Annaud’s The Lover (L’Amant), filmed in Vietnam. This early experience marked the beginning of a decades-long career dedicated to shaping cinematic spaces, atmospheres, and visual identities.

For the film Ky Nam Inn (Leon Le) Vietnam.

Bob Nguyen is an accredited member of the Australian Cinematographers Society (ACS) whose international career has been defined by a deep commitment to the art and craft of celluloid filmmaking.

His journey began at Swinburne University in 2008, where he was mentored by legendary cinematographer Ellery Ryan ACS. After shooting his first project on Super 16mm, Bob developed a lasting passion for the original motion-picture medium and made the decision to build his career around the unique character, discipline, and magic of film.

For the film Raindrops on a Roof.

Graduate of the Directing Department, China Academy of Art | Film and Cross-Media Moving-Image Practice, 2018-2025

PROFILE

Director, screenwriter and moving-image artist working across feature films, shorts, experimental cinema, branded content and game visuals. His practice explores narrative, space, the body and lived experience, as well as the translation of cinematic language across media.

I’m Jang Yongseok, a self-employed graphic designer. I run a small studio called Framebuilders in Jeju, South Korea. Most of my work is brand identity and K-pop album design. I worked on IU’s A Flower Bookmark album series. I’ve also made brand identities for the pet food company O’SO TRUE and the plant shop Mulsori.

Summer’s Camera (dir. Divine Sung) was my first film poster. The director asked me because she liked my handwriting. The English title takes up a lot of space, but the letters have a warm shape, so it feels friendly right away. I also made Korean handwriting that looks like Summer, and moved her from the center line of the road onto a tiny blue square. The director and the crew liked these ideas too, and I’m happy we made a poster I love.