Tag Archives: FEATURED

Karma (Peike Zheng) China. NETPAC section

Peike Zheng
China. 2021. 93 min

Set in 1990s China on Yangtze River, along with a sudden accident, 2 boatmen of different generation have lost their loved ones. Facing grievance against each other and the twist and turns of their likely father-and-son relationship, they embark with the flow of unknowns.


Graduated from Beijing Film Academy, Chinese young director Peike Zheng has filmed short films A Writer’s imagination and After a Car Accident. Karma is the director’s debut feature film.




Silence Again (Mohammad Kamal Alavi) Iran

Silence Again
Mohammad Kamal Alavi
Iran. 2022. 12 min

A young woman lives on a hill far from the city. Alone and in silence. She farms and takes her produce to the city on an old motorbike. On the way back, a scarecrow catches her eye. The woman returns home but can not get out of the scarecrow’s mind. She gets up in the middle of the night and walks in the dark. The next morning, the scarecrow is at the woman’s house. The woman is no longer alone. She changes the look of the scarecrow and gives it a feminine look. The woman’s relationship with the scarecrow gradually deepens. One day the woman returns home. When she opens the door, a scarecrow falls on her face and injures her. The woman throws the scarecrow out of the house and sheds tears alone and broken. The next morning the farmland, roads and houses are empty and silent. In the middle of a paddy field, a woman stands in a scarecrow shirt and hat with her arms outstretched. Still and motionless, like a scarecrow.


Mohammad kamal Alavi is an Iranian film director, actor and production manager. He is born on Oct 20, 1983 in Tehran , Iran and graduated in advanced direction from School of art and architecture , Tehran center.
He has directed four short movies : Nim/half – The Puncture – The Single Horn – Silence Again.

He has been in many films as production manager, like Farnoosh Samadi’s movies and they have been in many festivals like Cannes, Locarno, Venice.


When we are alone there is nothing to hide, it is our true self that lives, walks and falls in love. Due to the geography in which I live, I consider being a woman to be a constant challenge for women, and telling their stories is one of my main concerns in making films. Depicting a lonely woman, far from everyone and close to her, with an unconventional love story doubled my motivation for making the text. Also, the concise and minimal narrative method, without dialogue and atmosphere, made it possible for me to rely on the essence of cinema, the image, in decoupage, and to objectify my mental images. And in the end we are all alone.




A Dead Sea (Nahd Bashier) Israel

A Dead Sea
Nahd Bashier
Israel. 2022. 12 min

Kamel, a Palestinian man in his 50s, suffers from autism and travels with his paralyzed sister to the Dead Sea to receive medical treatment in seawater in the hope that it will help him treat psoriasis that has spread through his body. At the beach, he finds himself in an unpleasant situation. A little girl stole his rubber ball and Kamel tried to return it, the crowd gathers and he has a hard time explaining himself, especially since he does not understand Hebrew and the Jew does not understand Arabic. The masses suspect that this is a terrorist who kidnaps a girl and in the end a tragedy that seems to stem from a true story that took place in Jerusalem.


Present: Chairman of the Arab Culture Committee
CEO of N.B Oreem Production
CEO of Collage Association
Until 2021: CEO and Owner of Wow Surprise
2013 – 2018: Member of the High Public Committee of the Ministry of Culture and the Arts.
2006 – 2011: Artistic Director of the Kafron Theater.
2014: Member of the Fringe Theater Committee in the Ministry of Culture.

• Bachelor’s degree, B.A. specialization in acting and directing in the Department of Theater at the University of Haifa.
• Theatre Teaching at the University of Haifa.
• Group Facilitators Course for Resolving National Conflicts – (Children of Peace).
• Master’s degree. M.A studies in film culture, University of Haifa.
• Marketing and digital marketing – HackerU.
• 2021 – Master’s degree student in Law Studies – The Academic Center for Law and Business.




Yanagawa (Lu Zhang) China. Official Section

Lu Zhang
China. 2021. 112 min

Yanagawa is a film about two very different brothers who travel from Beijing to Yanagawa, Japan. They meet a girl who they both were in love with in their youth. One day she had disappeared without goodbyes. Wistful undertone is given by the fact that the film starts with one of the brothers getting diagnosed with cancer. The young man wishes to depart without leaving much behind, but without knowing it, he leaves so much in other people’s hearts. The story takes a look at the individuals’ memories and helps to make sense of the seemingly small events that sometimes play a decisive role in the course of a life. Zhang Lu precisely directs this organic and vital film, which takes the viewer to drift on the Yanagawa Canal in the light of a full moon peeking between the clouds.


Korean-Chinese filmmaker ZHANG Lu started out as a novelist before turning to filmmaking. Renowned for his artful portrayals of idyllic scenes, Zhang has received awards from the Cannes, Locarno and Berlin film festivals over the last two decades. Yanagawa is his thirteenth film and his first feature film directed in China.

He does not need too much introduction among filmlovers. His films have gained success in different international film festivals such as 2007’s “Desert Dream,” 2010’s “Dooman River” and last year’s “Fukuoka” at Berlin; 2001’s “Grain in Ear” at Cannes; and “Gyeongju” at Locarno. His film A Quiet Dream had it’s international premiere at Tallinn. He has a long history as a writer and his films are imbued with poetry of life.





Aruna Vasudev: Mother of Asian Cinema (Supriya Suri) India

Aruna Vasudev: Mother of Asian Cinema
Supriya Suri
India. 2021. 65 min

Aruna Vasudev, Founder of Netpac, Cinemaya & Cinefan Film festival has touched the lives of many in the world of Cinema. This documentary traces her roots from her humble origins in an undivided British India, to corridors of cinematic universe. It brings together her journey as a lm critic, cinema activist and an impresario, weaving a tapestry that connects the dots that make the large canvas that we know as Asian Cinema Renaissance. This film explores her dynamism painted through a narrative unfolding lives of critics, filmmakers, curators and programmers – who are hidden maestros that largely make the cinephilia culture and by large remain unsung in histories of Cinema.

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Tannishtha Chatterjee, President of Jury at Imagineindia 2022

Tannishtha Chatterjee is an Indian film actress and director best known in the west for her performance in the British film Brick Lane (2007), the film adaptation of Monica Ali‘s best selling novel of the same name for which she was nominated best actress at the British Independent Film Awards. Her other notable roles have been in Academy Award-winning German director Florian Gallenberger‘s film Shadows of TimeRoad, Movie with Abhay DeolDekh Indian Circus, for which she won the National Film Award – Special Jury Award / Special Mention (Feature Film) and Marathi film Doctor Rakhmabai for which she has won the Best Actress Award at RIFF (Rajasthan International Film Festival) and PIFF (Pune International Film Festival). In 2019 she directed her first feature film Roam Rome Mein.

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Mandi (Shyam Benegal)

Shyam Benegal
India. 1983. 160 min
Cast : Shabana Azmi, Smita Patil, Naseeruddin Shah

This classic film is based on a classic Urdu short story ‘Aanandi’ by Pakistani writer Ghulam Abbas. It deals with a brothel at the heart of a city, in an area that some politicians want for its prime locality. They rally up against the brothel and its inhabitants in the name of morality, and soon everyone in the area jumps on the bandwagon. The politicians offer to put up an alternative residence for the prostitutes, only this place is miles away, isolated from the city. The madam of the house has no choice but to comply, but by the end things take a (logical) turn for the better. After all, men will be men.

In her words (Annie Zaidi)

In her words
Annie Zaidi
India.  2015.  42 min.

The Film traces the historical and social journeys of Indian women’s lives as revealed through the literature they created in every era. The story of how women lived, and their march towards freedom and self-definition was not officially documented. However, through the verses of nuns, bhakti devotee rebels, folk songs, verses written by courtesans, amateur anthropologists, the memoirs of activists, and modern literature, we witness the oppressions and aspirations of Indian womanhood over two millenia. The film traces these changes through the translators, publishers, historians, and contemporary writers and readers who are pushing towards a more gender equal society.