Tag Archives: FEATURED

Daniela Creutz, jury for documentaries at Imagineindia 2022

Born in Munich Germany, and after receiving her MA in Photography & Video, Daniela Creutz moved to New York City where she completed her postgraduate film program (directing, screenplay & acting) at Tisch School of the Arts, NY Atlantic Theatre Company and NY Film Academy. Shortly after, she founded her own film production, B/C/P (BlueCirceProductions LLC) and lived and worked in New York City for 15 years. Initially, she was hired as a designer for broadcasters such as ABC Network and CBS Studios, but then increasingly produced independent films, especially documentary films, fiction short films, corporate and image films, which she wrote and directed. The development, as well as the creative and technical realization of different film topics – from research to writing treatments and screenplays, up to the final postproduction – have been Daniela’s core competence for many years.

Continue reading Daniela Creutz, jury for documentaries at Imagineindia 2022

Kim Longinotto, jury at Imagineindia 2022 for documentaries

Kim Longinotto is a British documentary film maker,  well known for making films that highlight the plight of female victims of oppression or discrimination.  Longinotto has made more than 20 films, usually featuring inspiring women and girls at their core. Her subjects have included female genital mutilation in Kenya (The Day I Will Never Forget), women standing up to rapists in India (Pink Saris),  and the story of Salma,  an Indian Muslim woman who smuggled poetry out to the world while locked up by her family for decades.

Continue reading Kim Longinotto, jury at Imagineindia 2022 for documentaries

Tannishtha Chatterjee, President of Jury at Imagineindia 2022

Tannishtha Chatterjee is an Indian film actress and director best known in the west for her performance in the British film Brick Lane (2007), the film adaptation of Monica Ali‘s best selling novel of the same name for which she was nominated best actress at the British Independent Film Awards. Her other notable roles have been in Academy Award-winning German director Florian Gallenberger‘s film Shadows of TimeRoad, Movie with Abhay DeolDekh Indian Circus, for which she won the National Film Award – Special Jury Award / Special Mention (Feature Film) and Marathi film Doctor Rakhmabai for which she has won the Best Actress Award at RIFF (Rajasthan International Film Festival) and PIFF (Pune International Film Festival). In 2019 she directed her first feature film Roam Rome Mein.

Continue reading Tannishtha Chatterjee, President of Jury at Imagineindia 2022

Tribute to K K Mahajan

— Excerpts from an Interview with Cinematographer K K Mahajan

On filming Mani Kaul‘s “Uski Roti “ (1970)

 “I worked on two films with Mani Kaul. Uski Roti” (1970) and “Ashad Ka Ek Din“(1971) Mani was very particular about his shots. He would explain exactly what he wanted. The compositions in “Uski Roti” were all inspired by Amrita Sher Gil‘s paintings. Mani told me that he wanted Sher Gil kind of compositions. I had just finished a film on her before I started
 “Uski Roti“. I had seen almost all her works, about 150 paintings.This particular film ( “Uski Roti” has a lot of resonance with Sher Gil’s compositions.

Continue reading Tribute to K K Mahajan

Debajyoti Mishra wins Best Music Award at Imagineindia 2021

Debajyoti Mishra wins Best Music Award at Imagineindia 2021 for the film The Flute of the indian director Hari Viswanath.

‘Debajyoti Mishra is a composer, musician and a painter from Kolkata, India with a distinct international edge. His musical orientation has been fashioned by diverse influences including western and eastern classical music, folk and post-modern music; thus blessing his creation with a symphonic dynamism.

Continue reading Debajyoti Mishra wins Best Music Award at Imagineindia 2021

Kani Kusruti, Jury at Imagineindia 2022

Kani was born in ThiruvananthapuramKerala, to social activist and rationalist parents Jayasree AK and Maitreya Maitreyan. Her parents had dropped their last names to erase the social hierarchy marker that comes with last names in India. At 15, she invented her last name “Kusruti” (meaning “mischievous” in Malayalam) to fill in a requirement in her class 10th exam application. She grew up in Thiruvananthapuram, where she got introduced to the Abhinaya Theatre Research Centre, “a common platform for theatre practitioners”. She later moved to Thrissur, where she enrolled in the theatre arts program at the Thrissur Drama School, between 2005 and 2007. She completed her theatre education at the L’École Internationale de Théâtre Jacques Lecoq, where she studied physical theatre for two years.

Continue reading Kani Kusruti, Jury at Imagineindia 2022

Mandi (Shyam Benegal)

Shyam Benegal
India. 1983. 160 min
Cast : Shabana Azmi, Smita Patil, Naseeruddin Shah

This classic film is based on a classic Urdu short story ‘Aanandi’ by Pakistani writer Ghulam Abbas. It deals with a brothel at the heart of a city, in an area that some politicians want for its prime locality. They rally up against the brothel and its inhabitants in the name of morality, and soon everyone in the area jumps on the bandwagon. The politicians offer to put up an alternative residence for the prostitutes, only this place is miles away, isolated from the city. The madam of the house has no choice but to comply, but by the end things take a (logical) turn for the better. After all, men will be men.

In her words (Annie Zaidi)

In her words
Annie Zaidi
India.  2015.  42 min.

The Film traces the historical and social journeys of Indian women’s lives as revealed through the literature they created in every era. The story of how women lived, and their march towards freedom and self-definition was not officially documented. However, through the verses of nuns, bhakti devotee rebels, folk songs, verses written by courtesans, amateur anthropologists, the memoirs of activists, and modern literature, we witness the oppressions and aspirations of Indian womanhood over two millenia. The film traces these changes through the translators, publishers, historians, and contemporary writers and readers who are pushing towards a more gender equal society.