Pomegranate Orchard
Ilgar Najaf
Azerbaijan. 2017. 90 min

Old and infirm, Shamil is now unable to look after the large pomegranate orchard extending beyond the modest family homestead in rural Azerbaijan. His daughter-in-law Sara and her young son Jalal are unlikely to help him care for the ancient trees in the future, so it looks as if the family may have to give up their only real source of trade. The lazy progression of sultry summer days is disrupted by the unexpected return of Shamil’s son Gabil, who fled the village without warning twelve long years ago and wasn’t heard from again. The deep emotional scars he left on his father, his wife and their son can’t be erased from one day to the next… As this private family drama unfurls, we discover the reasons for Gabil’s sudden departure only gradually, in keeping with the leisurely pace of the camera as it pans across the picturesque surroundings. However, the wrongs of the past continue to simmer uneasily beneath the veneer of this innocent landscape, and it is only a question of time before they break the surface.

ILGAR  NAJAF

Ilgar Najaf (b. 1975, Armenia, USSR), and his family were expelled from Armenia after the ethnic conflict in 1988, and he became a refugee at the age of thirteen. From 1993 to 1997 he studied film and TV direction at the Azerbaijan State University of Culture and Arts. He began as a documentarist, turning out Shacks without Shades (Kölgəsiz komalar, 2000) and There Exists an Old Man (Bir qoca var…, 2002), and he also made shorts (Theatrical Life / Teatral həyat, 2009, Silver Remi from Houston’s WorldFest). He established Buta Film in 2004. His feature film debut Buta (2011), the tale of a seven-year-old boy living with his grandma in a mountain village, depicts traditional rural life unmarked by the frenzy of the modern age. The film won awards at several festivals, among them the Houston WorldFest and the Isfahan IFF, and it was also Azerbaijan’s submission to the Academy Awards.

CONTACT

Buta film :   butafilm.info@yahoo.com

Asif Rustamov :   asif_rustamov@yahoo.com

Out of Frame
Wai Lun Kwok
Hong Kong. 2016. 95 min

Over the years, Tang has insisted on painting in black. These so-called ‘Black Paintings’ are created by splashing black paint on black canvases; thus, all finished works look the same. Like most of the artists, he lives hand-to-mouth by selling his paintings one at a time. Life in the East Village is not any easier. There are tens of thousands of artists competing for an elusive kind of breakthrough. Tang, his fellow artists and dear friend Gold, must seize every single chance. However, the first exhibition they try to organise is shut down by the government. Tang starts to use his own blood to create Black Paintings as a protest to all kinds of violence and oppression. A female filmmaker Mary comes to the East Village to make a documentary called Real Artist and gradually becomes Tang’s anchor. Unfortunately, Tang was once again arrested during a private party/exhibition organised by Mary. Since then Tang starts to utilize the form of ‘Performance Art’ and his own body to express his reflections on this ruthless world. Tang finds the audacity to unleash his inner powers to fight for his artistic ideals till the end, amidst extreme oppression and introspective struggles, and becomes a prototype of free spirit.

WAI  LUN  KWOK

Born in 1969 in Hong Kong, he studied Theatre Design at Hong Kong Academy for Performing Arts, pursued Film-making at School of Visual Art (New York). In 1997, he made his first feature, ‘In the Dumps’, which won the Silver Award at the Hong Kong Independent Short Film and Video Award. It was also be invited to the 3rd Busan international film festival and nominated in the main competition of French Amien’s film festival 1998. His second feature and ‘so and so’ (2000), was likewise selected for several international film festivals. ‘Darkness Bride’ (2004), his third feature film, was invited to the 54th Berlin Forum, as well as the 8th Busan IFF, the Seattle Film Festival and many other festivals. He has self-produced all of his features.

DIRECTOR,S  STATEMENT

“In China, many artists, i.e. poets, writers, painters, filmmakers, are at high-risk … of course, not everyone will get into trouble, as long as you obey the rules of the game. For me, the essential nature of art is precisely NOT to subject to any authority or institutions. But this principle does not apply in China. Official shackles on the freedom of expression and more insidiously, self-censorship both suppress the nature of the genuine artist. Market value becomes the only recognised value in the art world. Certain factions of society might even believe that these so-called ‘troublesome artists’ are only putting on a political show to profit themselves and so on. I do not want to argue with them. Shouldn’t we focus our attention to discuss and respect the art itself, rather than to suspect the artist’s intention, in the first place?”

CONTACT

Wai Lun Kwok :   wailunkwok7@gmail.com

DNA of Wild Beasts
Delphine Montaigne
France. 2017. 18 min

Along her team, the “36′, Lea, commander of operation, faces the true face of the news, filled with blood crimes, and is one the top on the French police force.
Protected and connected by their invisible bonds, weaknesses and solidarity is in their DNA.
24 hours in the life of Lea, member of the elite forces, but also a daughter and a woman.

DELPHINE  MONTAIGNE

Born in Lyons. Trained in drama arts in Nice and Paris, France.
Delphine Montaigne has been a comedian since age 13.
Commercials, documentaries, she has spoken a thousand voices and has incarnated just as many characters. She enjoys the subtle reassurance and tranquillity of backstage and dubbing studios.
She switches universes, from stages, to sets, to mikes, and has always done so.
She never stopped working, in other words, never stopped playing.
Encounters and opportunities have progressively drawn new projects. One of  which was all about exploring human beings’ relationships dynamics. An obvious focus for an artist.
Her growing interest for strange and fascinating reactions of her peers led to another venture in her life. In 2016 directing movies just happened, or so it seemed.
Since then the actress directed two films and is now writing two more.

The Lesson
Hugo Gómez
Spain. 2017. 13 min

Javier is a prestigious executive with a life full of luxury and money. He takes decisions that contribute to poverty and exploitation of families that that seem numbers for him. Everything will change when Oscar appears and give him a lesson he will never forget.

HUGO GÓMEZ

Hugo Gómez has forged his career as crew member in different audiovisual productions. After directing his first short film in 35 mm. (The Postman, 2005), began to work as production crew on different commercial shootings until he joined Spanish tv series El Comisario, between years 2006 and 2009. While, in parallel, he participated in- different TV movies like La Piel Azul (2009) or Yo soy el solitario (2008) as assistant director. Repeating on Valencian series L’alqueria Blanca, as well as different web series. In addi- tion, he used to continue writing short and feature film screenplays, as well as directing Después (2010) or El regalito (2015), his last short film until La Lección (2017).

CONTACT

Line Up Shorts :    lineupshorts@gmail.com

Moonga
Nilesh Kumar
India. 2017. 15 min

Moonga is an a short of sweet nostalgia, Jagdish a local boy of Chandoli migrated with his family for better prospects few yearas ago to city. After his fathers death he now runs a businessn which is in debts.
He considers selling his familial house to take care of his debts.
He comes back to his village for transactional purpose but ends up having a transformational experience if the form of his friendship with Govind and lost love Moonga…
Jagdish is trapped in an ethical and emotional dilemma, his choice between his nostalgia and future aspirations will decide Moongas fate.

NILESH KUMAR

Student of FTII, Nilesh Kumar has directed 3 short films for this institution. Hajime, Nirmala and the participant at Imagineindia 2018, Moonga.

CONTACT

Nilesh Kumar :   nileshkchotu@gmail.com

The Step
Mohamed Hossam El Din
Italy. 2017. 15 min

Nadine; an Italian teenager who was born in Rome to an immigrant couple. While making her audition to become a ballet dancer of one of Rome’s prestigious theaters, she faces a harsh situation; being obligated to choose between keeping a symbol of her personal identity and realizing her life’s dream.

MOHAMED HOSSAM EL DIN

CONTACT

Mohamed Hossam El Din :   m.reda@live.it

Nada
Adel Ahmed Yehia
Egypt. 2017. 25 min

One intertwined story examine the complexities of the one emotion that connects us all as humans, love. Among the characters explored, based on true story, Nada ( Mai El Gheity) a pretty deaf ballerina who loves life and has a passion for dancing but her disabilities didnt get in her way but it comes for the first time when she tries to express her feelings towards her colleague Omar (Amir), a blind guy who also has a passion for playing the piano. Will both disabilities be a barrier of communication or will they find a way to express their feelings for each other ? Their final performance will reveal it all.

ADEL AHMED YEHIA

Adel Ahmed Yehia is a young egyptian film director, he graduated from the cinema institution in egypt. Adel started his cinematic career as an assistant director in 2010 during his studies he worked in several series and movie and in 2013 he directed his first documentary as a project in the high cinema institute and in 2017 he started his first short fiction “Nada “.

CONTACT

Adel Ahmed Yehia :    adelahmedyehia@gmail.com

My Window
Bahaa El Gamal
Egypt. 2017. 16 min

In Cairo , where we cannot differentiate between the sounds of fireworks and firebombs , in crowd and in noise a close friend immigrates , everyone is lost seeking harmony But i have my own melody.

BAHAA EL GAMAL

CONTACT

Bahaa El Gamal :    bahaaelgamalcontact@gmail.com