A Fish Tale
Emmanuelle Mayer
Israel. 2019. 52 min

Johnny believes in the future of Africa. He lives in Israel, but dreams of returning home with modern fish farming techniques. His wife, Thérèse, sees little hope back home. She is determined to create the best possible future for their children, whatever the price may be. When their visas expire, tensions between the two arise, leading to an inevitable clash. Emmanuelle Mayer’s directorial debut is a moving documentary portrait, pieced out of ten years of intimate footage.

Second Chance
Marija Dzidzeva
Macedonia. 2019. 79 min

Macedonia, 2001. The interethnic conflict is on the edge of a Civil War. Violence has infected every pore of life. Regardless of their nationality or social status, all people share the fear of a hopeless future.”Second Chance” follows the stories of three women, need to respond to the many challenges of that terrible time. Sandra, Angelina and Eleonora living in the same building. Each one of these women struggles to find meaning in their existence, in the absurd and meaningless times, and surrounding. And each one of them faces her own personal demons, and struggles to preserve her humanity.

Sonsi
Savita Singh
India. 2019. 26 min

Every morning, eight-year-old Nadi wanders somewhere between the conscious and the unconscious, to meet her dream-etched Shadow Bird. A second character unfailingly follows—the mysterious Timekeeper, who has a clock fitted inside his heart. But one morning neither Shadow Bird nor Timekeeper arrive, and Nadi ventures alone into the deep, mysterious woods in search of them.

Dona
Marga Meliá
Spain. 2020. 19 min

At the time of her death, and after a lifetime of silence, a woman decides to confess all her terrible secrets to one of the psychiatrists of the mental institution she is held in. A tragic story full of suspense that talks about three generations of women marked by destiny in an oppressive and suffocating environment.

Black Wool
Elisabet Terri
Spain. 2021. 19 min

Bruna and Noa are two sisters with a difficult relationship, after a while without seeing each other, a pending issue will force them to meet again. The place chosen will not be random.

As I want
Samaher Alqadi
Egypt, France. 2021. 88 min

Cairo, January 25, 2013. A string of severe sexual assaults takes place in Tahrir Square on the day of the second anniversary of the revolution. In response, a huge crowd of enraged women surges onto the streets. Samaher Alqadi joins them, taking her camera with her as protection but also to document the protests of a burgeoning women’s rebellion. She has no idea where the story will take her. Samaher’s filming coincides with her falling pregnant, and this prompts her to consider her childhood in Palestine and what it means to be a woman and a mother.

An Unfairy Tale
Leena Manimekalai
India. 2019. 90 min

India is a land of Subaltern deities. Each deity has an unique legend and these legends are often interwoven with socio-historic tropes of India.

Puthirai Vannaar is an ‘unseeable’ Dalit caste group, in southern India. Their forced-occupation is to wash clothes of other Dalits, the dead and the menstruating women. This film is a tale about a young girl who grew up in Puthirai vannaar caste group and how she came to be immortalised as their local deity, Maadathy.

The Girl with Red Ribbon
Franziska Schönenberger/ Jaya Subramanian
India, Germany. 2020. 19 min

Constantly poked fun at by her classmates because of her unruly hair, Viru wants nothing more than the beautiful set of red ribbons her best friend Bhanu wears on her hair, something her own mother cannot afford. Even though Bhanu regularly prays for her in the temple, Viru is riddled with envy. When an unexpected red stain on her dress makes her the source of even greater ridicule, Viru’s desperation mounts.

NHA Mila
Denise Fernandes
Portugal / Switzerland. 2020. 18 min

After 14 years away from her homeland, Salomé is forced to return to Cape Verde to see her dying brother. During her stopover at Lisbon airport, Águeda a cleaning lady recognizes Salomé as “Mila”, her childhood friend. Águeda invites Salomé to leave the airport and spend the stopover at her home, with the women of her family. The neighborhood transports her on a spiritual journey, whose destination unfurls a painful bond with her homeland.