Category Archives: Women,s voices

Seconds (Liese Kuhn) South Africa. Official Section

Seconds
Liese Kuhn
South Africa. 2023. 90 min

SECONDS follows the story of Seconds Khumalo, an ageing boxer from the EastRand of Johannesburg. The Van Tonder family, whose property he lives on, andfor whom he boxes — begin to grow suspicious as years of unanswered questionsand traumas start to surface. Seconds has always trained under Pa Van Tonder, working for the family butchery in the mornings, but things start to go sour as Pa feels threatened by Seconds son, Lukas Khumalo, a budding politician.
The final count down reveals a web of lies, deceit and betrayal — an illegitimate son, an underground exploitative boxing syndicate and a dark angel called Bambi. It is time for Seconds to claim back what is rightfully his; HIS FAMILY AND HIS LIFE.

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Berbú (Sevinaz Evdike) Syria

Berbú (The Wedding Parade)
Sevinaz Evdike
Syria. 2022. 70 min

Berbu is a moving film about Kurdish families in the Rojava war. It centers on Gule’s upcoming wedding, which symbolizes hope and resistance in the midst of conflict. The family’s difficult decisions reflect the challenges of Kurdish communities in war-torn regions. Despite daily adversity, they hold on to happiness, love and traditions. The direction and camerawork capture life in a war-torn town as well as strong emotions and harsh realities. “Berbu” impresses with a thoughtful narrative about love, tradition, sacrifice and resilience.

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The Empty Grave (Cece Mlay/Agnes Lisa Wegner) Germany, Tanzania

The Empty Grave
Cece Mlay/ Agnes Lisa Wegner
Germany, Tanzania. 2024. 97 min

THE EMPTY GRAVE follows the emotional journey of two Tanzanian families in search of their stolen ancestors. Their quest leads them to Germany where tens of thousands of human remains from former German colonies are stored in museum depots – a haunting legacy of colonial plunder in the early 20th century, taken for racist research and as macabre trophies. Set in the present, the film unveils the enduring traces and traumas inflicted by colonial crimes on families and communities. It navigates the obscure maze of German and Tanzanian bureaucracy, revealing the struggle to reckon with this pain.

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The Alquimist´s Dance (Arantxa Vela) Spain

The Alquimist´s Dance
Arantxa Vela Buendía
Spain. 2024. 81 min

How does María Pagés’ thinking work? Where do her movements come from? What inspires her dancing? Starting with the staging of one of her latest shows, ‘De Scheherezade’, at the Roman Theatre of Mérida, we delve into her creative process, a process that she has shared for more than ten years with the poet, writer and dramaturg El Arbi El Harti. Both helps us to deconstruct scenes and draw a line that links with their previous works. By means of a fine sense of humour, the couple reveals to us the happiness and difficulties of living and working together. María Pagés shows herself to us as a woman whose life has its center on stage, in her way of understanding flamenco. Her dance seems to be something close to meditation and her creative process, a kind of trance.

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Mother and Daughter (Lana Gogoberidze) Georgia/France

Mother and Daughter
Lana Gogoberidze
Georgia/France. 2023. 89 min

It is 1930. A bitterly crying two-years-old child is seeing her mother off on her way to a film shooting. An elderly man turns to the mother and asks her where she was going to and whether it was worth the child’s tears.
The film is an attempt to answer this question.
The woman leaving for film shooting is Nutsa Gogoberidze – the first woman filmmaker in Georgia and one among the first in the Soviet Union.
Two years old child is me — Lana Gogoberidze. Today 95 years old film maker. In the 30s Nutsa shot two films immediately banned by the Soviet censorship. In 1937, during the times of Great Terror, she was arrested and exiled for 10 years.

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