Category Archives: – Official Section –

Porshi (Chandrasish Ray) India

Porshi
Chandrasish Ray
India. 2025. 100 min

Like any other metropolitan city, Kolkata is a mix of diverse people. Bappa works as a supervisor in a movers-and-packers company owned by Ratan, his boss, who is almost torment personified. Bappa’s girlfriend, Monika, is running around the city in pursuit of a government job she has already cleared but has not yet received the offer letter for. Choto, a 22-year-old truck driver working under Bappa, is a village boy struggling to discover his own sense of right and wrong amid the bustle of this grey city. Siuli is a homemaker, raising two children and dealing with a drunken husband, never having imagined that her life would be trapped within the claustrophobia of four walls.
We are all neighbours – Porshi (in Bengali) – to one another in some way or the other. We never know when we cross paths with a neighbour whose face we may not even recognize. Porshi (Neighbours, in english) is a palette of independent colours who never realized that, together, they could form a rainbow.

Continue reading Porshi (Chandrasish Ray) India

The Muralist (Sengedorj Janchivdorj) Mongolia

The Muralist
Sengedorj Janchivdorj
Mongolia. 2025. 116 min

Baya, a weather-worn muralist who spent his glory years in Europe, has drifted back to Ulaanbaatar with nothing but a rickety rooftop tent, a box of fading paints and Dolingor, the stray that shadows his every step. Each dawn he rappels down an abandoned Soviet-era factory wall, splashing mythic Mongolian landscapes across the crumbling concrete while a sardonic red balloon—equal parts conscience and comic Greek chorus—floats overhead.
When city officials announce the site will be bulldozed for a turkey farm, Baya digs in, certain this mural will be his life’s summa. His only allies are Tömö, a curious herder boy who’s never owned a crayon, and Kazu, a Japanese photo-journalist whose lens turns Baya’s anonymity into sudden global intrigue. Their fragile coalition clashes with bureaucrats and developers, but the deeper fight is inside Baya: a decades-old guilt over the wife and daughter he abandoned for art.
Drawing on surreal realism and long, breathing takes that keep us at the artist’s elbow, director J. Sengedorj weaves Mongolia’s gritty urban present with its shamanic inner world. The Muralist becomes a hymn to imagination’s stubborn survival—whether in spray-painted saints, a boy’s first charcoal line, or the quiet forgiveness that can still bloom on a ruined wall.

Continue reading The Muralist (Sengedorj Janchivdorj) Mongolia

The Last Summer (Renfei Shi) China

The Last Summer
Renfei Shi
China. 2025. 90 min

Days before China’s life-defining College Entrance Exams, top student Li Zhizhi’s world fractures when she sees her father with a pregnant woman. In shock, she accidentally knocks an ashtray off the balcony, striking a five-year-old girl playing downstairs.
Caught between the victim’s grieving family and her parents’ crushing expectations, Zhizhi buries her guilt—along with her anger at what she believes is her father’s betrayal. But the truth cuts deeper.

Continue reading The Last Summer (Renfei Shi) China

Summer´s Camera (Divine Sung) South Korea

Summer´s Camera
Divine Sung
South Korea. 2025. 83 min

After her father passed away, Summer stopped taking photos.
One day, she falls for Yeonwoo, the school’s soccer star, and takes her picture with her late father’s camera. When she develops the film, she finds mysterious photos of her father’s high school lover. In these photos, Summer uncovers a secret about her father. Will she be able to pursue her first love and uncover her father’s hidden truth?

Continue reading Summer´s Camera (Divine Sung) South Korea

Ky Nam Inn (Leon Le) Vietnam

Ky Nam Inn
Leon Le
Vietnam. 2025. 140 min

Ten years after the war, Saigon is still in the midst of reconstruction. Widowed Ky Nam runs a small restaurant in a communal housing complex, where residents share a central courtyard and know every detail of each other’s lives. She has adopted and is raising Su, a French–Vietnamese mixed-race child. One day, Khang, a young man translating Saint-Exupéry’s The Little Prince into Vietnamese, moves into the unit upstairs. With his privileged background and natural charm, it is only natural that he draws the attention of those around him. Yet from the very first day, Khang finds himself gradually drawn to Ky Nam, who once saved him from a crisis. The highlight of this film, which evokes the tenderness of a romantic watercolor painting, is the late sequence in which the two walk through the streets of Saigon all night, enacting a dreamlike farewell ritual. Carried along by the young man’s narration, the scene leaves their shared story suspended in an eternal present.

Continue reading Ky Nam Inn (Leon Le) Vietnam

Raindrops on A Roof (Zhou Jiali) China

Raindrops on A Roof
Zhou Jiali
China. 2025. 106 min

Single mother Shi’ning visits a ‘spiritual salon’ out of curiosity and joins a group activity that promises to erase the past. At first glance, only Shi’ning seems to be obsessively attached to the loss and trauma she, her three siblings, and her mother experienced. But in reality, everyday life is often harsh for her mother and younger brother Shi’an as well. Ordinary images, such as an orange sock hanging on the clothesline, a wardrobe where a child hides, a stripped mannequin, or an old sweater trigger painful reminders of both personal and historical trauma for this family. Zhou Jiali’s feature debut Raindrops on a Roof suggests that what matters is not cutting out memories like burning photographs but bringing pain into the open and facing one another—much like the family working together to restore their mother’s cheap, shrunken sweater.

Continue reading Raindrops on A Roof (Zhou Jiali) China

Riverstone (Lalith Rathnayake) Sri Lanka

Riverstone
Lalith Rathnayake
Sri Lanka. 2025. 120 min

There have been many instances where suspected underworld criminals have been killed while in police custody, ostensibly in shootouts while accompanying officers to show arms caches. It is widely held by the general public that while the rule of law has been severely compromised, the police have, on such occasions, acted arbitrarily and with disregard for due process.
It is not the police nor the particular officers but the particular governments that require such suspects to be eliminated. The police merely execute their wishes. For this, relevant officers are offered the carrot of possible promotions. This film discusses the thoughts and concerns of three officers as they travel together to a destination marked for the assassination of a suspect with whom they have no quarrel whatsoever.

Continue reading Riverstone (Lalith Rathnayake) Sri Lanka

Hard Shell (Majid Reza Mostafavi) Iran

Hard Shell
Majid Reza Mostafavi
Iran. 2024. 112 min

Leila who is a young talented tightrope walker, has been banned from performing due to the threat of fanatics, extremists and religious government people to close the circus just because of her artistic movements during her performance in tightrope walking and the way she dresses, and since then she has become a clown in an old circus owned by her father. Samir who is a teenage boy, has fallen in love with Leila and instead of going to school, he wanders away from his parents and roams the circus.
At the same time as the political and economic problems in Iran rises day by day ; Siamak who is Samir’s father and he is an calm and honest hardworking person , after many years of working in different jobs, has just starts working as a foreman in a donkey breeding farm and he has dream of owning a roadside restaurant…

Continue reading Hard Shell (Majid Reza Mostafavi) Iran

Minimals in a Titanic World (Philibert Aimé) Rwanda, Germany, Cameroon

Minimals in a Titanic World
Philibert Aimé
Rwanda, Germany, Cameroon. 2024. 81 min

Let off with a warning for aggression, dancer and aspiring musician Anita returns from prison to perform at her bar, where she learns about the sudden death of her boyfriend, Serge. While close friends process the shock, Anita finds solace in the company of Serge’s roommate, Shema. As she wrestles with the difficult final memories of her boyfriend, Anita must negotiate her bond with Shema while trying to break out on her own as an independent songwriter. Set in current-day Kigali, Philbert Aimé Mbabazi Sharangabo’s radiant, richly detailed feature debut trains its attention on a generation of upwardly mobile youth grappling with anxieties around love, death and self-actualization. With grace and generosity, he allows his characters to float about in a state of flux, not knowing what they want or can dare to. Despite our intimacy with her dreams and frustrations, Anita retains her essential spiritual mystery, her response to grief and bereavement never explained away. With keen attention to colours, textures, music and moods, Minimals in a Titanic World crafts an emotionally resonant portrait of friendship frayed by the weight of loss.

Continue reading Minimals in a Titanic World (Philibert Aimé) Rwanda, Germany, Cameroon