Nadie viene (Sergio Rozas) Spain |

Nadie viene
Sergio Rozas
Spain. 2025. 17 min

A woman lives alone on an uninhabited island, waiting for the return of her husband, a soldier sent to the front. Hopeful, every day she goes to a beach from where she can watch the war unfold in the distance . Sometimes war planes try to flee the battle but are destroyed by enemy fighters. Days, weeks, months go by and the woman feels more and more alone and abandoned. A photo is the only memory she keeps of her man. Routine takes over her life and with it, sadness. No one comes to her island. The only solution is to overcome the loss and keep on living. And perhaps making this hard decision will be what allows her to find someone new to share her life with. She hides her husband’s photo and goes back to the beach. The war is at its peak but a war plane manages to escape. A paratrooper manages to reach land and the woman meets him face to face. She offers him food. Someone has come.

SERGIO ROZAS

SERGIO ROZAS MANZANO Madrid, 1972. He began his career in the audiovisual world in 1995. He has worked as a visual effects supervisor (Color Out of Space, Lovely, Dark and Deep, Mi Ilustrísimo Amigo, Lone, The Piper, Rapa, The Head, Eres Tú, La Cosa en la Niebla) and also as a conceptual designer and storyboard artist (The Others, Goya’s Ghosts, House of the Dragon), matte painter, poster artist (Alatriste, Hierro, Zipi y Zape 2, Regresión, Cerrar los Ojos), editor (Open Windows, Automata, Daniel y Danielle, La Pasajera), second unit director, and director of photography. He has directed the short films “No Quiero Estar Sola” (I Don’t Want to Be Alone), selected for 30 international festivals and winner of 15 awards, “Nadie viene,” and a documentary about Japanese horror mangaka Hideshi Hino, currently in editing stages. He has also directed the “making of” documentaries for two major Spanish productions: Alatriste and Agora, and directed an anime sequence for the Rubius Next Level Japan project. He has edited trailers and promotional pieces for Amazon Prime, Netflix, and Movistar, and edited credit sequences for series such as The Head and García. He has received awards for editing, design, and directing and has collaborated with directors such as Alejandro Amenábar, Víctor Erice, Andy Muschetti, Milos Forman, Clare Kilner, and Michael Radford. He is a founding partner of User T38 (2001), winner of the Goya Award for Best VFX for Handia.