My Name is Gulpilil (Molly Reynolds) Australia |

My Name is Gulpilil
Molly Reynolds
Australia. 2021. 102 min

In what is very likely his final film, the great Australian actor David Gulpilil faces his own mortality: he is dying of lung cancer. Holding the camera figuratively in the palm of his hand, David performs directly for whoever might be out there in the future looking at him, to what is for him his final audience. He talks about what it is to stare down death, and what it was to live a life such as he did, a dizzying mix of traditional Aboriginal ways and modern Hollywood excess, and everything in between. It is pure, unmediated and unvarnished David Gulpilil, finally able to say in a film exactly what he wants to say.

He reminisces about his films, and his fame, and the effects of both on a tribal boy from Arnhem Land. He talks about acting, and how his dancing in his own culture is really the basis of what made him famous. And now he looks toward going home, to his own funeral, the specifications of which he’s very particular about. Visited by his sisters, including his twin Mary, they plan for his passing.
But life interferes with David’s march towards his personal end…in his words, “I should have been dead long time ago!” Despite the diagnoses and the prognostications of finality, birthdays pass and David resolutely refuses to die. In this, his final film although it may not be, the great Australian actor David Gulpilil shows what a survivor he is, and how he came to be the living legend we know him to be.

MOLLY REYNOLDS

Molly Reynolds is an Australian producer, screenwriter and director, best known for the 2021 documentary My Name is Gulpilil about acclaimed actor and dancer David Gulpilil. She wrote and directed Another Country in 2015, and co-wrote and co-directed the single-person ShoPaapaa in 2020.

Many of Reynolds’ works are on the subject of Indigenous Australians’ experience, which began as a “happy accident” as her partner Rolf de Heer began work on the 2006 film Ten Canoes.

Reynolds has also worked as a consultant in the Australian film sector, advising on national qualifications, developing and delivering curricula at a range of universities, and sitting on review panels.

FILMOGRAPHY