An Orange from Jaffa (Mohammed Almughanni) Poland, Palestine, France

An Orange from Jaffa
Mohammed Almughanni
Poland, Palestine, France. 2024. 26 min

A few kilometres from Jerusalem, the Hizma checkpoint, even before the events of recent months. There has been tension here for decades and the controls are extremely strict. A small mistake can cost a lot. Mohammed, a young Palestinian with a temporary Polish identity card, tries to get through the Israeli checkpoint to meet his mother. Successive drivers refuse to give him a lift. The kind-hearted taxi driver Farouk agrees. He does not know that the boy has already tried to cross another checkpoint and has been turned back. Farouk is also in a hurry to attend a very important meeting. The military quickly discovers the truth, which means very serious trouble for both men. Locked in the car, they will wait for the final decision. A gripping cinema, close to the man, showing the absurdity of the conflict on a micro scale. The film is presented in the national and international competitions.

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Gulzar gets Lifetime Achievement Award at Imagineindia 2025

Gulzar (born Sampooran Singh Kalra; 18 August 1934) is an Indian Urdu poetlyricistauthorscreenwriter, and film director known for his works in Hindi cinema.  He is regarded as one of greatest Urdu poets of this era. He started his career with music director S.D. Burman as a lyricist in the 1963 film Bandini and worked with many music directors including R. D. BurmanSalil ChowdhuryVishal Bhardwaj and A. R. Rahman. Gulzar also writes poetry, dialogues and scripts. He directed films such as Aandhi and Mausam during the 1970s and the TV series Mirza Ghalib in the 1980s. He also directed Kirdaar in 1993.

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Humans in the Loop (Aranya Sahay) India

Humans in the Loop
Aranya Sahay
India. 2024. 74 min

Nehma, an Adivasi woman from the Oraon tribe, returns to her village with her children twelveyear- old Dhaanu and one-year-old Guntu, after her divorce. She begins to work as a data labeller, training the ‘childlike’ AI models to recognise images.
While Nehma faces the challenge of connecting with Dhaanu – who is biased against village life and forever tempted to flee back to the city she also notices that the AI she works with is adopting harmful human biases, echoing prejudices against her own community.

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